![]() ![]() For example, this won’t fit well as a waltz (time = “3/4”). Given what is written, it doesn’t make sense to change them all. This time, when rendering the song, use settings for the three arguments discussed above. ![]() #> # A tibble: 3 x 7 #> phrase tuning voice staff ms_transpose ms_key tabstaff #> #> 1 e, a, d g b e' 1 treble_8 0 1 #> 2 e, a, d g b e' 2 treble_8 0 1 #> 3 e, a, d, g, 1 bass_8 0 2 #> c g f c c g f c c g f c #> 1 2 2 1 1 2 2 1 1 2 2 1 For completeness, here is what you have so far. The chord chart and chord sequence are retained to provide the most complete illustration of a rendered score. Throughout this tutorial section, the guitar and bass example from the section on tracks and scores is reused. Look up options for these strings if you are not familiar with them in LilyPond. Note that key takes the tabr consistent key signature notation whereas time and tempo take literal LilyPond strings. tempo provides the song tempo, defaulting to tempo = "2 = 60". time gives the time signature, defaulting to common time, or 4/4 time. Key changes in the middle of a song are not supported, but you can always edit the LilyPond file by hand to make highly customized changes. While they have default values, they will almost invariably need to be changed for just about any song. These are the three arguments immediately after the input score and output file. These are the most critical components that can be supplied to lilypond. ![]()
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